Revising History is a study on photography, the nature of the vernacular image, and its role in creating cultural allegories. The work intends to create a dialogue about the photograph as simulacrum- the moment versus the referent. To engage these layered truths I replace the central figure in found mid-century (1940’s –1960’s) vernacular photographs with an image of myself. In doing so I effectively hijack the memory and create a “counterfeit” image. Most do not stop to think about the ubiquitous nature of the camera or the impact of pictures, but snapshots now intervene in almost every aspect of life - the pinnacle and the banal. The danger in this is we seem to have forgotten that the picture liberates the moment from reality, erases vantage, and is inevitable susceptible to co-opted or underwritten fantasy.